Praised for his “fluid virtuosity” and “soulful melodies,” Los Angeles native Brook Speltz has been inspired since childhood by the long tradition of deep musical mastery of artists such as Jascha Heifetz, Pierre Fournier, and the Guarneri String Quartet. As of 2015, he is the new cellist of the internationally renowned Escher String Quartet and a season artist of the Chamber Music Society. He has performed as a soloist, chamber musician, and recitalist throughout the US, Canada, Latin America, Europe, and Asia. First Prize winner of the prestigious Ima Hogg Competition, he has performed with the Houston Symphony, Colorado Music Festival Orchestra, and International Contemporary Ensemble, and is a regular performer at England’s IMS Prussia Cove and on tour with Musicians from Marlboro. Chamber music tours with Itzhak Perlman and Richard Goode caused him to be nominated for the inaugural Warner Music Prize, a newly established prize presented by Warner Music and Carnegie Hall. He has also toured with the cello rock band Break of Reality, whose cover of music from Game of Thrones has received over 19 million views online. The band’s recent US tour raised funds and awareness for music programs in public schools all around the country. After studying with Eleanor Schoenfeld, Mr. Speltz attended the Curtis Institute of Music with Peter Wiley and The Juilliard School with Joel Krosnick. He performs on an 1857 J.B. Vuillaume on loan from his father, a cellist and his first inspiration in a family of professional musicians.

Hailed by the New Yorker as "the most remarkable virtuoso in the relatively un-chronicled history of his instrument,” Edgar Meyer’s uniqueness in the field was recognized when he became the only bassist to be awarded the Avery Fisher Prize and a MacArthur Award. His most recent recording is Not Our First Goat Rodeo with Stuart Duncan, Aoife O’Donovan, Yo-Yo Ma, and Chris Thile. He was honored with his fifth Grammy Award in 2015 for his Bass & Mandolin recording with Chris Thile. His compositions have been premiered and recorded by Emanuel Ax, Joshua Bell, Yo-Yo Ma, the Boston Symphony Orchestra, Bela Fleck, Zakir Hussain, Hilary Hahn, and the Emerson String Quartet, among others. The Nashville Symphony and the Aspen Music Festival and School commissioned his first purely orchestral work, which was premiered by the Nashville Symphony in March 2017. Additionally, Bravo! Vail and the Academy of St. Martin in the Fields commissioned an Overture for Violin and Orchestra that was premiered by Joshua Bell and the Academy of St. Martin in the Fields in June 2017.

A Yale University faculty member since 1987, clarinetist David Shifrin is artistic director of Yale’s Chamber Music Society, the Yale in New York concert series, and the Phoenix Chamber Music Festival. He has performed with CMS since 1982 and served as its artistic director from 1992 to 2004, inaugurating CMS’s Bowers Program and the annual Brandenburg Concerto concerts. He was the artistic director of Chamber Music Northwest in Portland, Oregon, from 1981 to 2020. Winner of both the Avery Fisher Career Grant (1987) and the Avery Fisher Prize (2000), he is also the recipient of a Solo Recitalist Fellowship from the National Endowment for the Arts. A top prize-winner in the Munich and Geneva competitions, he has held principal clarinet positions in numerous orchestras including the Cleveland Orchestra and the American Symphony under Leopold Stokowski. His recordings have received three Grammy nominations and his performance of Mozart’s Clarinet Concerto with the Mostly Mozart Festival Orchestra was named Record of the Year by Stereo Review. His most recent recordings are the Beethoven, Bruch, and Brahms clarinet trios with David Finckel and Wu Han on the ArtistLed label, a recording for Delos of works by Carl Nielsen, and an album of Poulenc’s music for clarinet. His 2012 Delos recording of Ellen Taaffe Zwillch’s Clarinet Concerto was chosen as culturally, historically, or aesthetically significant by the National Recording Preservation Act by the Library of Congress in 2023. Shifrin performs on clarinets made by Morrie Backun in Vancouver, Canada, and Légère synthetic reeds.

Radovan Vlatković has performed extensively around the globe and popularized the horn as a recording artist and teacher. He is the winner of numerous competitions, including the Premio Ancona in 1979 and the ARD Competition in 1983. He has premiered works by Elliott Carter, Sofia Gubaidulina, Heinz Holliger, and several Croatian composers; he premiered Penderecki's horn concerto, Winterreise, in Bremen in 2008 with the composer as conductor. As a chamber musician, he has performed at Gidon Kremer's Lockenhaus, Svyatoslav Richter's December Evenings in Moscow, and András Schiff's Mondsee, as well as the Marlboro Festival, Prussia Cove, and the Casals Festival. He has appeared as soloist with many orchestras, such as the Bavarian Symphony Orchestra, Stuttgart Radio Orchestra, Deutsches Symphonie-Orchester, Mozarteum Orchestra, Santa Cecilia Orchestra Rome, Melbourne Orchestra, the NHK Orchestra in Tokyo, and the Scottish Chamber Orchestra. The recipient of several German Record Critics’ Awards, he has recorded Mozart and Strauss concertos with the English Chamber Orchestra and Jeffrey Tate for EMI, two-horn concertos by Leopold Mozart and Johann Friedrich Fasch with Hermann Baumann and Academy of Saint Martin in the Fields, and the Britten Serenade for Tenor, Horn, and Strings with the Oriol Ensemble in Berlin. Vlatkovic is on the faculty of the Mozarteum Salzburg, Hochschule Zürich, and holds the Canón horn chair at the Queen Sofia School in Madrid. He recently became an Honorary Member of the Royal Academy of Music.