Hindemith: Quartet for Clarinet, Violin, Cello, and Piano
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Alexander Fiterstein
Sean Lee
Nicholas Canellakis
Michael Stephen Brown
Alexander Fiterstein is recognized as one of today’s most exceptional clarinetists. He has been praised by the New York Times for possessing a “beautiful liquid clarity,” and the Washington Post wrote, “Fiterstein treats his instrument as his own personal voice, dazzling in its spectrum of colors, agility, and range. Every sound he makes is finely measured without inhibiting expressiveness.”
A recipient of the prestigious Avery Fisher Career Grant and a first prize winner of the Carl Nielsen International Clarinet Competition, he performs with orchestras and chamber groups throughout the world. He appeared as a soloist with the Saint Paul Chamber Orchestra, Kansas City Symphony, Belgrade Philharmonic Orchestra, China National Symphony Orchestra, Czech Chamber Orchestra, Danish National Radio Symphony Orchestra, Israel Chamber Orchestra, Orchestra of St. Luke’s at Lincoln Center, Tokyo Philharmonic, and Vienna Chamber Orchestra. A dedicated performer of chamber music, he frequently collaborates with distinguished artists and regularly performs with the Chamber Music Society of Lincoln Center.
Among the highly regarded artists he has performed with are Daniel Barenboim, Emanuel Ax, Mitsuko Uchida, Richard Goode, Pinchas Zukerman and Steven Isserlis. Fiterstein has made several recordings for Naxos, Bridge, and Orchid Classics. He graduated from the Juilliard School and is now Chair of Winds and Professor of Clarinet at the Peabody Institute of the Johns Hopkins University.
Violinist Sean Lee has captured the attention of audiences around the world with his lively performances of the classics. A recipient of a 2016 Avery Fisher Career Grant, he is one of few violinists who dares to perform Niccolò Paganini’s 24 Caprices in concert, and his YouTube series, Paganini POV, continues to draw praise for its use of technology in sharing unique perspectives and insight into violin playing. He has performed as a soloist with orchestras including the San Francisco Symphony, Israel Camerata Jerusalem, and Orchestra del Teatro Carlo Felice, and his recital appearances have taken him to Vienna's Konzerthaus, Tel Aviv Museum of Art, and Carnegie Hall’s Weill Recital Hall. As a season artist at the Chamber Music Society of Lincoln Center and an alum of CMS’s Bowers Program, he continues to perform regularly at Lincoln Center and on tour. Originally from Los Angeles, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before moving at the age of 17 to study at the Juilliard School with his longtime mentor, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999, with bows made circa 1890 by Joseph Arthur Vigneron and circa 1910 by W. E. Hill & Sons.
Nicholas Canellakis has become one of the most sought-after and innovative cellists of his generation, praised in the New Yorker as a “superb young soloist.” Recent highlights include solo debuts with the Virginia, Albany, Bangor, and Delaware symphony orchestras; concerto appearances with the Erie Philharmonic, the New Haven Symphony, and the American Symphony Orchestra; Europe and Asia tours with CMS; and recitals throughout the US with his longtime duo collaborator, pianist-composer Michael Stephen Brown. An alum of CMS’s Bowers Program, he is a regular guest artist at many of the world’s leading music festivals. Canellakis is the Artistic Director of Chamber Music Sedona in Arizona and is a graduate of the Curtis Institute of Music (where he was recently appointed to the cello faculty) and New England Conservatory.
Michael Stephen Brown is a composer and pianist hailed by the New York Times as “one of the leading figures in the current renaissance of performer-composers.” A 2025 MacDowell Fellow, 2024 Yaddo Artist, and winner of Lincoln Center’s Emerging Artist Award and an Avery Fisher Career Grant, Michael performs internationally and receives commissions from orchestras, soloists, and festivals around the world. Recent highlights include a recital at Alice Tully Hall for CMS, collaborations with cellist Nicholas Canellakis and violinists Pinchas Zukerman, Kristin Lee, and Arnaud Sussmann, and an Asia recital tour. Currently he is composing The Magical Carnival, a CMS-led project co-presented by a consortium of US presenters. His first album devoted entirely to his music, Twelve Blocks, will be released in fall 2025. He is the composer for Angeline Gragasin’s upcoming film Look But Don't Touch. An alum of CMS’s Bowers Program, Michael lives in New York City and Wallkill, New York, with his two 19th-century Steinways, Octavia and Daria.
Recorded live in the Daniel and Joanna S. Rose Studio on May 10, 2018.
Video directed by Tristan Cook.