Bach: Brandenburg Concerto No. 4 in G major, BWV 1049
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Arnaud Sussmann
Sooyun Kim
Tara Helen O'Connor
Bella Hristova
Francisco Fullana
Dmitri Atapine
Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura, and profound musicianship. Minnesota’s Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you'll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener.” A thrilling musician capturing the attention of classical critics and audiences around the world, he has recently appeared as a soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician, he has performed at the Tel Aviv Museum in Israel, London’s Wigmore Hall, Lincoln Center’s Alice Tully Hall, the Dresden Music Festival in Germany, and the Phillips Collection in Washington, DC. He has been presented in recital in Omaha on the Tuesday Musical Club series, in New Orleans by the Friends of Music, and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Moritzburg, Caramoor, Music@Menlo, La Jolla SummerFest, Mainly Mozart, Seattle Chamber Music, Chamber Music Northwest, and Moab Music festivals. He has performed with many of today’s leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenasi, Wu Han, David Finckel, and Jan Vogler. An alum of CMS’s Bowers Program, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program, and teaches at Stony Brook University. In September 2022, Sussmann was named Founding Artistic Director of the Boscobel Chamber Music Festival.
Praised as “a rare virtuoso of the flute” by Libération, Sooyun Kim has established herself as one of the rare flute soloists on the classical music scene. Since her concerto debut with the Seoul Philharmonic Orchestra, she has enjoyed a flourishing career performing with orchestras, including the Bavarian Radio Symphony, Munich Philharmonic, Munich Chamber Orchestra, and Boston Pops. She has been presented in recital in Budapest’s Liszt Hall, Millennium Stage at the Kennedy Center, Sibelius Academy in Helsinki, and Kobe’s Bunka Hall. Her European debut recital at the Louvre was streamed live on medici.tv. A winner of the Georg Solti Foundation Career Grant, she has received numerous international awards and prizes including the third prize at the ARD International Flute Competition. Her summer appearances include the Music@Menlo, Spoleto USA, Yellow Barn, Rockport, Olympic, Charlottesville, Ravinia, and Tanglewood festivals. Her special interest in interdisciplinary art has led her to collaborate with many artists, dancers, and museums around the world such as Sol Lewitt, the Isabella Stewart Gardner Museum, and Glassmuseet Ebeltoft in Denmark. She choreographed and performed in dance works for Chamber Music Northwest and the Tivoli Dance Troupe in Denmark. An alum of CMS’s Bowers Program, she studied at the New England Conservatory under the tutelage of Paula Robison. She is currently on the faculty of the Longy School of Music of Bard College and teaches summer courses at Orford Musique. Kim plays a rare 18-karat gold flute specially made for her by Verne Q. Powell Flutes.
Tara Helen O'Connor, who Artmag has said "so embodies perfection on the flute that you'll forget she is human," is an Avery Fisher Career Grant recipient, a two-time Grammy Award nominee, and, as a member of the New Millennium Ensemble, a recipient of the Walter W. Naumburg Chamber Music Award. A Wm.S. Haynes artist, she was the first flutist selected to participate in the Chamber Music Society of Lincoln Center's Bowers Program and is currently a season artist of the Chamber Music Society of Lincoln Center and a member of the Windscape woodwind quintet.
O'Connor serves as Visiting Associate Professor, Adjunct, of Flute at the Yale School of Music, and is Artistic Director of the Music from Angel Fire Festival. A champion of contemporary music, Ms. O'Connor has premiered hundreds of works and has appeared on numerous recordings and film and television soundtracks including Barbie, Respect, The Joker, The Marvelous Mrs. Maisel, Only Murders in the Building, and Schmigadoon! to name only a few.
An avid chamber musician, O'Connor regularly appears include the Bravo! Vail festival, Chamber Music Northwest, Music@Menlo, Santa Fe Chamber Music Festival, Chamber Music Festival of the Bluegrass, Spoleto Festival USA, the Banff Centre, Rockport Music, Bay Chamber Concerts, Manchester Music Festival, the Great Mountains Music Festival, Chesapeake Chamber Music Festival and Music From Angel Fire.
O'Connor has appeared on A&E's Breakfast with the Arts and PBS' Live from Lincoln Center. She has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings with the Chamber Music Society of Lincoln Center and Bridge Records. She also serves on the faculty at Bard College Conservatory of Music, and the Contemporary Performance Program at Manhattan School of Music.
She lives with her husband, violinist Daniel Phillips and their two miniature dachshunds, Chloé and Ava on the Upper West Side of Manhattan.
Acclaimed for her passionate, powerful performances, beautiful sound, and compelling command of her instrument, violinist Bella Hristova has performed extensively as a soloist with orchestras including the Charlotte, Milwaukee, and Kansas City symphonies as well as orchestras in Asia, Europe, Latin America, and New Zealand. Highlights of the 2023–24 season include performances of Wynton Marsalis’s Violin Concerto with the Charleston Symphony and Eugene Philharmonic, Prokofiev’s Second Concerto with the New York Youth Symphony at Carnegie Hall, and the Barber Concerto with the Orlando Philharmonic. Hristova was the featured soloist for a concerto commissioned by a consortium of eight major orchestras and written for her by her husband, acclaimed composer David Serkin Ludwig, which she continues to perform. A sought-after chamber musician at festivals, she has performed at Australia’s Musica Viva, Music@Menlo, Chamber Music Northwest, and Marlboro Music. Following multiple tours of New Zealand with renowned pianist Michael Houstoun, she and Houstoun recorded the complete Beethoven Sonatas for Piano and Violin, and more recently the Brahms Sonatas, both released on Rattle. She received a 2013 Avery Fisher Career Grant and first prizes in the Michael Hill International Violin Competition and the Young Concert Artists International Auditions, and is a Laureate of the International Violin Competition of Indianapolis. Hristova attended the Curtis Institute of Music, where she worked with Ida Kavafian, and received her artist diploma with Jaime Laredo at Indiana University. She is an alum of CMS’s Bowers Program and plays a 1655 Nicolò Amati violin.
Spanish-born violinist Francisco Fullana, winner of the 2018 Avery Fisher Career Grant and the 2023 Khaledi Prize, has been hailed as “frighteningly awesome” (Buffalo News). His latest album on Orchid Classics, Bach’s Long Shadow, was named BBC Music Magazine’s Instrumental Choice of the Month. Its five-star review stated: "Fullana manages to combine Itzhak Perlman's warmth with the aristocratic poise of Henryk Szeryng." His thoughtful virtuosity has led to collaborations with conducting greats like Sir Colin Davis, Hans Graf, and Gustavo Dudamel. Besides his career as a soloist, which includes recent debuts with the Philadelphia and St. Paul Chamber Orchestras and a season-long artist residency with the Grammy-winning orchestra Apollo’s Fire, he is making an impact as an innovative educator. He created the Fortissimo Youth Initiative, a series of seminars and performances in partnership with youth and university orchestras, and co-founded San Antonio’s Classical Music Institute, an outreach-focused chamber music festival that serves hundreds of Title I underrepresented minority students every summer. He was a first-prize winner of the Johannes Brahms and Angel Munetsugu International Violin Competitions and is an alum of CMS’s Bowers Program. A graduate of the Juilliard School and the University of Southern California, Fullana performs on the 1735 Mary Portman ex-Kreisler Guarneri del Gesù violin, on loan from Clement and Karen Arrison through the Stradivari Society of Chicago.
Dmitri Atapine has been described as a cellist with “brilliant technical chops” (Gramophone), whose playing is “highly impressive throughout” (The Strad). He has appeared on some of the world's foremost stages. An avid chamber musician, he frequently performs with the Chamber Music Society of Lincoln Center and is an alum of The Bowers Program. He is a frequent guest at leading festivals, including Music@Menlo, La Musica Sarasota, Pacific, Aldeburgh, Aix-en-Provence, and Nevada. His performances have been broadcast nationally in the US, Europe, and Asia. His many awards include first prize at the Carlos Prieto Cello Competition, as well as top honors at the Premio Vittorio Gui and Plowman chamber competitions. He has collaborated with such distinguished musicians as Cho-Liang Lin, Paul Neubauer, Ani and Ida Kavafian, Wu Han, Bruno Giuranna, David Finckel, David Shifrin, and the Emerson Quartet. His many recordings include a critically acclaimed world premiere of Lowell Liebermann’s complete works for cello and piano. He holds a doctorate from the Yale School of Music, where he was a student of Aldo Parisot. Atapine is Professor of Cello at the University of Nevada, Reno, and is Artistic Co-Director of the Friends of Chamber Music Kansas City, Apex Concerts (Reno, Nevada), and the Ribadesella Chamber Music Festival (Spain), as well as the Co-Director of the Young Performers Program at Music@Menlo Chamber Music Institute (California).
Recorded live in Alice Tully Hall on December 13, 2019.
Video produced by Ibis Productions.