Mezzo-soprano Jennifer Johnson Cano has garnered critical acclaim for committed performances of both new and standard repertoire. With more than 100 performances at the Metropolitan Opera, her most recent roles have included Nicklausse, Emilia, Hansel, and Meg Page. She has undertaken numerous projects with the Cleveland Orchestra and Franz Welser-Möst in both the US and Europe, and appeared with Cleveland in Verdi’s Otello in 21-22. Other highlights that season included performances with the Philadelphia Orchestra and Yannick Nézet-Séguin in a premiere of Kevin Puts’s The Hours, performances of Beethoven’s Ninth Symphony with the Chicago Symphony, and Riccardo Muti and the San Francisco Symphony. Following summer festival premieres, she performed the New York premiere of a new chamber opera by Marc Neikrug, A Song By Mahler, at the Chamber Music Society. She performed Poulenc’s Dialogues of the Carmelites (Mother Marie) with the Houston Grand Opera; the world premiere of Gregory Spear’s Castor and Patience (Celeste) with the Cincinnati Opera; Bartók’s Bluebeard’s Castle (Judith) with the Roanoke Opera; and workshops of Gregg Kallor’s new opera, Frankenstein, with the Arizona Opera. Cano is a native of St. Louis and earned degrees from Webster University and Rice University. Winner of the Metropolitan Opera National Council Audition, she has also received First Prize in the Young Concert Artist International Auditions, a Sara Tucker Study Grant, a Richard Tucker Career Grant, and George London Award.

Tara Helen O'Connor is a charismatic performer noted for her artistic depth, brilliant technique, and colorful tone spanning every musical era. Recipient of an Avery Fisher Career Grant and a two-time Grammy nominee, she was the first wind player to participate in CMS’s Bowers Program. She regularly appears at the Santa Fe Chamber Music Festival, Music@Menlo, Chamber Music Festival of the Bluegrass, Spoleto Festival USA, Chamber Music Northwest, Mainly Mozart Festival, Music from Angel Fire, the Banff Centre, Rockport Music, Bay Chamber Concerts, Manchester Music Festival, the Great Mountains Music Festival, Chesapeake Music Festival, and the Bravo! Vail Valley Music Festival. She is the newly appointed co-artistic director of the Music From Angel Fire Festival in New Mexico. She is a member of the woodwind quintet Windscape, the legendary Bach Aria Group, and is a founding member of the Naumburg Award-winning New Millennium Ensemble. She has premiered hundreds of new works and has collaborated with the Orion String Quartet, St. Lawrence Quartet, and Emerson Quartet. She has appeared on A&E's Breakfast for the Arts, Live from Lincoln Center and has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings with the Chamber Music Society of Lincoln Center, and Bridge Records. A Wm. S. Haynes flute artist, she is an associate professor at Purchase College. Additionally, she is on the faculty of Bard College, Manhattan School of Music, and is a visiting artist at the Royal Conservatory of Music in Toronto, Ontario.

Violinist/violist Yura Lee is a multifaceted musician, as a soloist and as a chamber musician, and one of the very few that is equally virtuosic on both violin and viola. She has performed with major orchestras including those of New York, Chicago, Baltimore, Cleveland, San Francisco, and Los Angeles. She has given recitals in London’s Wigmore Hall, Vienna’s Musikverein, Salzburg’s Mozarteum, the Palais des Beaux-Arts in Brussels, and the Concertgebouw in Amsterdam. At age 12, she became the youngest artist ever to receive the Debut Artist of the Year prize at the Performance Today awards given by National Public Radio. She is the recipient of a 2007 Avery Fisher Career Grant and the first prize winner of the 2013 ARD Competition. She has received numerous other international prizes, including top prizes in the Mozart, Indianapolis, Hannover, Kreisler, Bashmet, and Paganini competitions. Her CD Mozart in Paris, with Reinhard Goebel and the Bayerische Kammerphilharmonie, received the prestigious Diapason d’Or Award. As a chamber musician, she regularly takes part in the festivals of Seattle, Marlboro, Salzburg, Verbier, and Caramoor. Her main teachers included Dorothy DeLay, Hyo Kang, Miriam Fried, Paul Biss, Thomas Riebl, Ana Chumachenko, and Nobuko Imai. An alum of CMS's Bowers Program, Lee is on the faculty at the USC Thornton School of Music in Los Angeles. She lives in Los Angeles with her dog Nugget.

Called the “Yo-Yo Ma of the harp,” by Vogue’s Senior Editor Corey Seymour, Bridget Kibbey is in demand for innovative, virtuosic programming that celebrates the expressive range of the instrument. She is the 2022–23 Artist in Residence at the Schubert Club, an alum of The Bowers Program (formerly CMS Two), an Avery Fisher Career Grant recipient, and a winner of the Premiere Prix at the Journées de les Harpes Competition in Arles, France, among others. Kibbey tours projects and programs of her own conception, including her own adaptations of J. S. Bach’s keyboard concertos alongside the Dover Quartet, as well as duo collaborations with mandolinist Avi Avital and violinist Alexi Kenney. This season she launches an all-French program with the Calidore String Quartet and tours her newest project, Persia to Iberia, showcasing the sounds of the Islamic Golden Era through 19th-century Spain alongside Persian vocalist Mahsa Vahdat and percussionist John Hadfield. She also creates projects with Latin Grammy–winning musicians that explore cultural narratives driving songs and dances from South America, and has toured and recorded with luminaries Placido Domingo, Dawn Upshaw, and Gustavo Santaolalla for Sony Records and Deutsche Grammophon. Kibbey made her NPR Tiny Desk Solo Debut in 2021. Her debut album, Love is Come Again, was named a Top Ten Release by Time Out New York. She appears frequently as soloist and chamber musician at festivals and series—and with orchestras as concerto soloist—across the globe.