Korngold: Quintet in E major for Piano, Two Violins, Viola, and Cello, Op. 15
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Gilles Vonsattel
Kristin Lee
Sean Lee
Matthew Lipman
David Requiro
Swiss-born American pianist Gilles Vonsattel is celebrated for his versatility and originality. He has been honored with an Avery Fisher Career Grant, the 2016 Andrew Wolf Chamber Music Award, and top prizes in the Naumburg and Geneva competitions, and has performed alongside world-renowned orchestras like the Boston Symphony Orchestra, Orchestre Symphonique de Montréal, San Francisco Symphony, Munich Philharmonic, Detroit Symphony, Chicago Symphony Orchestra, and Philharmonisches Staatsorchester Hamburg. He has performed recitals and chamber music at venues including Ravinia, Tokyo’s Musashino Hall, Wigmore Hall, the Lucerne Festival, Bravo! Vail, Chamber Music Northwest, the Santa Fe Chamber Music Festival, and Music@Menlo. An advocate of contemporary music, he has premiered compositions in the United States and Europe, collaborating closely with composers Jörg Widmann, Heinz Holliger, Anthony Cheung, and George Benjamin. Recent milestones in his career encompass a performance of Carlos Chávez’s Piano Concerto at Carnegie Hall’s Stern Auditorium with The Orchestra Now, a debut at Mostly Mozart, and a critically acclaimed recording of Richard Strauss and Kurt Leimer’s music with the Bern Symphony Orchestra and Mario Venzago for Schweizer Fonogramm. An alum of CMS’s Bowers Program, he earned his bachelor’s degree in political science and economics from Columbia University and a master’s degree from the Juilliard School. Vonsattel is Professor of Piano at the University of Massachusetts, Amherst, and is on the faculty at Bard College Conservatory of Music.
Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist, chamber musician, educator, and artistic director. As a soloist, Lee has appeared with leading orchestras including the Philadelphia Orchestra, St. Louis Symphony, St. Paul Chamber Orchestra, New Jersey Symphony, Hawai’i Symphony, Hong Kong Philharmonic, Ural Philharmonic of Russia, Korean Broadcasting Symphony, Guiyang Symphony Orchestra of China, and Orquesta Sinfónica Nacional of the Dominican Republic. She has performed on the world’s finest concert stages, including those of Carnegie Hall, Avery Fisher Hall, the Kennedy Center, Kimmel Center, the Metropolitan Museum of Art, the Ravinia Festival, the Louvre Museum, the Phillips Collection, and Korea’s Kumho Art Gallery. In addition to her prolific performance career, Lee is on the faculty of the University of Cincinnati College-Conservatory of Music as Assistant Professor of Violin, and she is also the Founding Artistic Director of Emerald City Music (ECM). Her honors include an Avery Fisher Career Grant, top prizes in the Walter W. Naumburg Competition and the Astral Artists National Auditions, and awards from the Trondheim Chamber Music Competition, the Trio di Trieste Premio International Competition, the SYLFF Fellowship, the Dorothy DeLay Scholarship, the Aspen Music Festival’s Violin Competition, the New Jersey Young Artists’ Competition, and the Salon de Virtuosi Scholarship Foundation. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley.
Violinist Sean Lee has captured the attention of audiences around the world with his lively performances of the classics. A recipient of a 2016 Avery Fisher Career Grant, he is one of few violinists who dares to perform Niccolò Paganini’s 24 Caprices in concert, and his YouTube series, Paganini POV, continues to draw praise for its use of technology in sharing unique perspectives and insight into violin playing. He has performed as a soloist with orchestras including the San Francisco Symphony, Israel Camerata Jerusalem, and Orchestra del Teatro Carlo Felice, and his recital appearances have taken him to Vienna's Konzerthaus, Tel Aviv Museum of Art, and Carnegie Hall’s Weill Recital Hall. As a season artist at the Chamber Music Society of Lincoln Center and an alum of CMS’s Bowers Program, he continues to perform regularly at Lincoln Center and on tour. Originally from Los Angeles, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before moving at the age of 17 to study at the Juilliard School with his longtime mentor, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999, with bows made circa 1890 by Joseph Arthur Vigneron and circa 1910 by W. E. Hill & Sons.
American violist Matthew Lipman has been praised by the New York Times for his “rich tone and elegant phrasing” and by the Chicago Tribune for a “splendid technique and musical sensitivity.” Recent seasons have included appearances with the Chicago Symphony Orchestra, Chamber Orchestra of Europe, American Symphony Orchestra, Munich Symphony Orchestra, and Minnesota Orchestra. He has performed recitals at Carnegie Hall, Aspen Music Festival, and the Zürich Tonhalle; was invited by Michael Tilson Thomas to be a soloist at the New World Symphony Viola Visions Festival; and has appeared in chamber music with Anne-Sophie Mutter at the Berlin Philharmonie, Vienna Musikverein, and on Deutsche Grammophon Stage+. An alum of the Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center, where he occupies the Wallach Chair. In 2022, he made his Sony Classical debut on The Dvořák Album, and his 2019 solo debut recording, Ascent, was released by Cedille Records, marking world premieres of the Shostakovich Impromptu and Clarice Assad Metamorfose. Additionally, he recorded the Mozart Sinfonia Concertante with violinist Rachel Barton Pine and the Academy of St Martin in the Fields, conducted by the late Sir Neville Marriner. An Avery Fisher Career Grant recipient and major prize winner at the Primrose and Tertis International Viola Competitions, he studied with Heidi Castleman at Juilliard and Tabea Zimmermann at the Kronberg Academy. Lipman is on faculty at Stony Brook University and performs on a 2021 Samuel Zygmuntowicz viola, made for him in New York.
First Prize winner of the 2008 Naumburg International Violoncello Competition, David Requiro (pronounced re-KEER-oh) is recognized as one of today’s finest American cellists. After winning First Prize in both the Washington International and Irving M. Klein International String Competitions, he captured a top prize at the Gaspar Cassadó International Violoncello Competition in Hachioji, Japan, coupled with the prize for the best performances of works by Cassadó. He has appeared as soloist with the Tokyo Philharmonic, National Symphony Orchestra, Seattle Symphony, and numerous orchestras across North America. His Carnegie Hall debut recital at Weill Hall was followed by a critically acclaimed San Francisco Performances recital at the Herbst Theatre. Soon after making his Kennedy Center debut, he completed a cycle of Beethoven’s cello sonatas at the Phillips Collection in Washington, DC. An alum of CMS’s Bowers Program, he has performed with the Chamber Music Society of Lincoln Center, Seattle Chamber Music Society, Jupiter Symphony Chamber Players, and is a founding member of the Baumer String Quartet. Mr. Requiro serves as Associate Professor of Cello at the University of Colorado Boulder, where he joined faculty in 2015. He has previously served as Artist-in-Residence at the University of Puget Sound and Guest Lecturer at the University of Michigan. His teachers have included Milly Rosner, Bonnie Hampton, Mark Churchill, Michel Strauss, and Richard Aaron.
Recorded live in the Daniel and Joanna S. Rose Studio on January 24, 2019.
Video directed by Tristan Cook.