Born in Taiwan, Cho-Liang Lin moved to Sydney at age 12 to further his violin studies with Robert Pikler. After playing for Itzhak Perlman in a master class, the 13-year-old decided that he must study with Mr. Perlman’s teacher, Dorothy DeLay. At age 15, he traveled alone to New York, auditioned for the Juilliard School, and spent the next six years working with Ms. DeLay. His concert career launched in 1980 with his debut playing the Mendelssohn Concerto with the New York Philharmonic and Zubin Mehta. He has since performed as soloist with virtually every major orchestra in the world. At the age of 31 he joined the faculty of the Juilliard School, and in 2006 was appointed professor at Rice University. He was music director of La Jolla SummerFest for 18 years, currently serves as artistic director of the Hong Kong International Chamber Music Festival, and recently founded the Taipei Music Academy and Festival. Many of today’s composers have written for him, including John Harbison, Christopher Rouse, Tan Dun, John Williams, Steven Stucky, Esa-Pekka Salonen, Bright Sheng, Paul Schoenfield, Lalo Schifrin, Joan Tower, and others. Recently, he was soloist with the New York Philharmonic, Detroit Symphony, Munich Philharmonic, Toronto Symphony, Cincinnati Symphony, Nashville Symphony, and Royal Philharmonic. Lin performs on the 1715 “Titian” Stradivari and a 2000 Samuel Zygmuntowicz. His many recordings can be heard on the Sony Classical, Decca, BIS, Delos, and Ondine labels. His albums have won Gramophone Record of the Year, Grammy nominations, and Penguin Guide Rosettes.

Violinist/violist Yura Lee is a multifaceted musician, as a soloist and as a chamber musician, and one of the very few that is equally virtuosic on both violin and viola. She has performed with major orchestras including those of New York, Chicago, Baltimore, Cleveland, San Francisco, and Los Angeles. She has given recitals in London’s Wigmore Hall, Vienna’s Musikverein, Salzburg’s Mozarteum, the Palais des Beaux-Arts in Brussels, and the Concertgebouw in Amsterdam. At age 12, she became the youngest artist ever to receive the Debut Artist of the Year prize at the Performance Today awards given by National Public Radio. She is the recipient of a 2007 Avery Fisher Career Grant and the first prize winner of the 2013 ARD Competition. She has received numerous other international prizes, including top prizes in the Mozart, Indianapolis, Hannover, Kreisler, Bashmet, and Paganini competitions. Her CD Mozart in Paris, with Reinhard Goebel and the Bayerische Kammerphilharmonie, received the prestigious Diapason d’Or Award. As a chamber musician, she regularly takes part in the festivals of Seattle, Marlboro, Salzburg, Verbier, and Caramoor. Her main teachers included Dorothy DeLay, Hyo Kang, Miriam Fried, Paul Biss, Thomas Riebl, Ana Chumachenko, and Nobuko Imai. An alum of CMS's Bowers Program, Lee is on the faculty at the USC Thornton School of Music in Los Angeles. She lives in Los Angeles with her dog Nugget.

Misha Amory has been active as a soloist and chamber musician for 30 years. He has performed with orchestras in the United States and Europe, and has been presented in recital at New York’s Alice Tully Hall, Los Angeles’s Ambassador series, Philadelphia’s Mozart on the Square festival, Boston’s Gardner Museum, Houston’s Da Camera series, and Washington’s Phillips Collection. He has been invited to perform at the Marlboro Festival, the Seattle Chamber Music Festival, the Vancouver Festival, the Lake Champlain Chamber Music Festival, and the Boston Chamber Music Society, and he has released recordings of music by Bach, Hindemith, George Benjamin, and Richard Wilson. He is a member of the Brentano String Quartet, which was the first ensemble to participate in The Bowers Program, and is currently ensemble-in-residence at Yale School of Music. The quartet won the first Cleveland Quartet Award and the Naumburg Chamber Music Award and has recorded all of Beethoven's late quartets, several quartets of Mozart, the Op. 71 Quartets of Haydn, and works of Steven Mackey, Bruce Adolphe, Stephen Hartke, Chou Wen-Chung, and Charles Wuorinen. Amory holds degrees from Yale University and The Juilliard School; his principal teachers were Heidi Castleman, Caroline Levine, and Samuel Rhodes. A dedicated teacher, he serves on the faculties of The Juilliard School and the Curtis Institute.

Nicholas Canellakis has become one of the most sought-after and innovative cellists of his generation, praised as a “superb young soloist” (New Yorker) and for being “impassioned . . . the audience seduced by Mr. Canellakis's rich, alluring tone” (New York Times). A multifaceted artist, Canellakis has forged a unique voice combining his talents as soloist, chamber musician, curator, filmmaker, and composer/arranger. His recent highlights include solo debuts with the Virginia, Albany, Bangor, Stamford, and Delaware symphony orchestras; concerto appearances with the Erie Philharmonic, the New Haven Symphony as artist-in-residence, and the American Symphony Orchestra in Carnegie Hall; Europe and Asia tours with the Chamber Music Society of Lincoln Center; and recitals throughout the United States with his longtime duo collaborator, pianist-composer Michael Stephen Brown. An alum of CMS’s Bowers Program, Canellakis is a regular guest artist at many of the world’s leading music festivals, including Santa Fe, Ravinia, Music@Menlo, Bard, Bridgehampton, La Jolla, Hong Kong, Moab, Music in the Vineyards, and Saratoga Springs. He is the Artistic Director of Chamber Music Sedona in Arizona and is a graduate of the Curtis Institute of Music and New England Conservatory. Filmmaking and acting are special interests of his; he has produced, directed, and starred in several short films and music videos. Canellakis plays on an outstanding Jean-Baptiste Vuillaume cello, circa 1840.