Recorded live in Alice Tully Hall on July 13, 2022.
Video produced by Ibis Productions.
|Available on-demand until
Hugo Souza has performed extensively throughout Brazil, North America, and Europe as a soloist, chamber musician, and orchestral player. Prior to the start of the COVID-19 pandemic, he had the honor of performing with the Orpheus Chamber Orchestra at Carnegie Hall, as a guest artist at Music@Menlo, and with the ensemble Pentaèdre in Montreal. He also has performed with the American Ballet Theatre and American Symphony Orchestra.
Born into a musical family in Natal, Brazil, he began playing oboe at age fourteen and immediately fell in love. He went on to earn his bachelor’s degree in oboe performance at the Universidade Federal do Rio Grande do Norte (UFRN), where both of his parents serve as faculty in the music department.
Hugo continued his studies in the United States, earning his Master of Music from SUNY Purchase as a student of Maestro Humbert Lucarelli. He is a doctoral candidate at the Eastman School of Music at the University of Rochester, where he studies with Richard Killmer.
During his time at Eastman, Hugo took a leave to accept a teaching position at his alma mater in Natal (UFRN). While on faculty at UFRN, he played an integral role in raising the oboe’s visibility and popularity throughout the country. He co-founded the Brazilian Double Reed Society, which has since held major international conferences featuring masterclasses with world renowned double reed artists. This organization continues to foster a thriving community for double reed players and has amplified classical music’s role in Brazilian culture.
Hugo is on faculty at Capital University’s Conservatory of Music. He resides in Columbus, where he enjoys spending time with his wife and son, exploring the surrounding culinary scene, and creating fusion recipes.
Clarinetist Sebastian Manz has been praised for his “enchantingly beautiful intonation and technical prowess” by Fono Forum. He has performed as a soloist with major European orchestras such as the Nuremberg Symphony Orchestra, the Munich Chamber Orchestra, and the National Youth Orchestra of Germany. On the chamber music stage, he has given performances at Elbphilharmonie Hamburg, Beethovenhaus Bonn, and has appeared at festivals including the prestigious Festspiele Mecklenburg Vorpommern and the MDR Musiksommer in Germany, collaborating with artists like Sebastian Studnitzky, Sarah Christian, Julian Steckel, Danae Dörken, the Danish String Quartet, and the Armida Quartett. At the ARD International Music Competition in 2008, he won not only first prize in the clarinet category, which had not been awarded for 40 years, but also the coveted Audience Prize and other special prizes. He is Principal Clarinet of the SWR Symphony Orchestra in Stuttgart. He is also active in the “Rhapsody in School” organization founded by Lars Vogt, which is committed to bringing classical music into schools. His recording A Bernstein Story was awarded with the Opus Klassik award in 2020. He recently released his recording of clarinet concertos by Carl Nielsen and Magnus Lindberg, as well as a recital recording of works by Brahms and Schumann with pianist Herbert Schuch. Manz was born in Hanover, and his teachers include the acclaimed clarinetists Sabine Meyer and Reiner Wehle. He is an alum of CMS's Bowers Program.
A member of the New York Woodwind Quintet and St. Luke’s Chamber Ensemble, Marc Goldberg is principal bassoonist of Lincoln Center’s Mostly Mozart Festival Orchestra, American Ballet Theater, NYC Opera, Orchestra of St. Luke’s, and a member of the American Symphony Orchestra. Previously the associate principal bassoonist of the New York Philharmonic, he has also been a frequent guest of the Metropolitan Opera, Boston Symphony Orchestra, and Orpheus Chamber Orchestra, touring with these ensembles across four continents and joining them on numerous recordings. Solo appearances include performances throughout the US, in South America, and across the Pacific Rim with the Brandenburg Ensemble, Mostly Mozart Festival Orchestra, Saito Kinen Orchestra, American Symphony Orchestra, Orchestra of St. Luke’s, Chamber Music Society of Lincoln Center, Riverside Symphony, Jupiter Symphony, New York Chamber Soloists, and the New York Symphonic Ensemble. A longtime season artist of the Chamber Music Society of Lincoln Center, he has been a guest of the Da Camera Society of Houston, Musicians from Marlboro, Music@Menlo, the Brentano Quartet, Carnegie Hall’s Zankel Band, and the Boston Chamber Music Society. Summer festival appearances include Spoleto, Ravinia, Chautauqua, Tanglewood, Caramoor, Saito Kinen/Ozawa Music Festival, Bard Music Festival, and Marlboro. Goldberg is on the faculty of the Juilliard School Pre-College Division, Mannes College, New England Conservatory, the Hartt School, and the Bard College Conservatory of Music.
Hailed as “stunning and assured” by the New York Times, Atlanta native David Byrd-Marrow is the solo hornist of the International Contemporary Ensemble, as well as a member of The Knights. Working with a uniquely wide range of performers, he has premiered works by Matthias Pintscher, Arthur Kampela, George Lewis, Tyshawn Sorey, Anna Thorvaldsdottir, Du Yun, Marcos Balter, Anna Webber, Jörg Widmann, Miguel Zenón, and Chick Corea. He has performed at festivals including the Ojai Music Festival, the Spoleto Music Festival, the Mostly Mozart Festival, the Tanglewood Music Center, Summerfest! at the La Jolla Music Society, and as faculty at the Festival Napa Valley. Formerly a member of Carnegie Hall’s Ensemble Connect, he has also made appearances with the New York Philharmonic, the Cleveland Orchestra, the Atlanta, Seattle, and Tokyo symphony orchestras, the Orpheus Chamber Orchestra, the Mostly Mozart Festival Orchestra, the Washington National Opera, the Metropolitan Opera, and the Chamber Music Society of Lincoln Center. He has recorded on many labels including Tundra, More Is More, Nonesuch, EMI, Deutsche Grammophon, and Naxos. Byrd-Marrow received his bachelor’s degree from the Juilliard School and his master’s from Stony Brook University. He is the Assistant Professor of Horn at the Lamont School of Music, of the University of Denver.
Lauded for his “impeccable technique” (Washington Post) and “elegant musicianship” (New York Times), pianist Juho Pohjonen is in demand internationally as an orchestral soloist, recitalist, and chamber performer. An ardent exponent of Scandinavian music, Pohjonen’s growing discography offers a showcase of music by Finnish compatriots such as Esa-Pekka Salonen, Kaija Saariaho, and Jean Sibelius.Recent engagements include the German Radio Philharmonic; Taiwan, BBC, and Los Angeles Philharmonic orchestras; Cleveland and Minnesota Orchestras; the Symphonies of San Francisco, Atlanta, New Jersey, and Colorado; and the National Arts Centre Orchestra, Scottish Chamber Orchestra, Danish National Symphony, Finnish Radio Symphony, Philharmonia Orchestra of London, and Mostly Mozart Festival. He has also collaborated with today’s foremost conductors, including Marin Alsop, Lionel Bringuier, Marek Janowski, Fabien Gabel, Kirill Karabits, Osmo Vänskä, Pietari Inkinen, Stefan Asbury, Esa-Pekka Salonen, Robert Spano, Markus Stenz, and Pinchas Zukerman. He has performed in recital at New York’s Carnegie Hall and Lincoln Center, at the Kennedy Center in Washington, DC, the Steinway Society in San Jose, Society of the Four Arts in Palm Beach, and in San Francisco, La Jolla, Philadelphia, Detroit, Savannah, and Vancouver. He made his London debut at Wigmore Hall and has played recitals throughout Europe in Antwerp, Hamburg, Helsinki, St. Petersburg, and Warsaw.An alum of CMS’s Bowers Program, he enjoys an ongoing association with the Chamber Music Society of Lincoln Center. In 2019, Pohjonen launched MyPianist, an AI-based app that provides interactive piano accompaniment.