Dvořák: Sextet in A major for Two Violins, Two Violas, and Two Cellos, Op. 48
Recorded live in Alice Tully Hall on January 18, 2022.
Video produced by Ibis Productions.
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Arnaud Sussmann
Kristin Lee
Paul Neubauer
Matthew Lipman
Inbal Segev
Keith Robinson
Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura, and profound musicianship. Minnesota’s Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you'll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener.” A thrilling musician capturing the attention of classical critics and audiences around the world, he has recently appeared as a soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician, he has performed at the Tel Aviv Museum in Israel, London’s Wigmore Hall, Lincoln Center’s Alice Tully Hall, the Dresden Music Festival in Germany, and the Phillips Collection in Washington, DC. He has been presented in recital in Omaha on the Tuesday Musical Club series, in New Orleans by the Friends of Music, and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Moritzburg, Caramoor, Music@Menlo, La Jolla SummerFest, Mainly Mozart, Seattle Chamber Music, Chamber Music Northwest, and Moab Music festivals. He has performed with many of today’s leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenasi, Wu Han, David Finckel, and Jan Vogler. An alum of CMS’s Bowers Program, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program, and teaches at Stony Brook University. In September 2022, Sussmann was named Founding Artistic Director of the Boscobel Chamber Music Festival.
Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist, chamber musician, educator, and artistic director. As a soloist, Lee has appeared with leading orchestras including the Philadelphia Orchestra, St. Louis Symphony, St. Paul Chamber Orchestra, New Jersey Symphony, Hawai’i Symphony, Hong Kong Philharmonic, Ural Philharmonic of Russia, Korean Broadcasting Symphony, Guiyang Symphony Orchestra of China, and Orquesta Sinfónica Nacional of the Dominican Republic. She has performed on the world’s finest concert stages, including those of Carnegie Hall, Avery Fisher Hall, the Kennedy Center, Kimmel Center, the Metropolitan Museum of Art, the Ravinia Festival, the Louvre Museum, the Phillips Collection, and Korea’s Kumho Art Gallery. In addition to her prolific performance career, Lee is on the faculty of the University of Cincinnati College-Conservatory of Music as Assistant Professor of Violin, and she is also the Founding Artistic Director of Emerald City Music (ECM). Her honors include an Avery Fisher Career Grant, top prizes in the Walter W. Naumburg Competition and the Astral Artists National Auditions, and awards from the Trondheim Chamber Music Competition, the Trio di Trieste Premio International Competition, the SYLFF Fellowship, the Dorothy DeLay Scholarship, the Aspen Music Festival’s Violin Competition, the New Jersey Young Artists’ Competition, and the Salon de Virtuosi Scholarship Foundation. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley.
Violist Paul Neubauer has been called a “master musician” by the New York Times. He recently made his Chicago Symphony subscription debut with conductor Riccardo Muti. He also gave the US premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist Wu Han. In addition, his recording of the Aaron Kernis Viola Concerto with the Royal Northern Sinfonia was released on Signum Records, and his recording of the complete viola/piano music by Ernest Bloch with pianist Margo Garrett was released on Delos. Appointed principal violist of the New York Philharmonic at age 21, he has appeared as soloist with over 100 orchestras including the New York, Los Angeles, and Helsinki philharmonics; National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth symphonies; and Santa Cecilia, English Chamber, and Beethovenhalle orchestras. He has premiered viola concertos by Bartók (revised version of the Viola Concerto), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower, and has been featured on CBS's Sunday Morning and A Prairie Home Companion as well as in Strad, Strings, and People magazines. A two-time Grammy nominee, he has recorded on numerous labels including Decca, Deutsche Grammophon, RCA Red Seal, and Sony Classical, and is a member of SPA, a trio with soprano Susanna Phillips and pianist Anne-Marie McDermott. Neubauer is the artistic director of the Mostly Music series in New Jersey and is on the faculty of the Juilliard School and Mannes College.
American violist Matthew Lipman has been praised by the New York Times for his “rich tone and elegant phrasing” and by the Chicago Tribune for a “splendid technique and musical sensitivity.” Recent seasons have included appearances with the Chicago Symphony Orchestra, Chamber Orchestra of Europe, American Symphony Orchestra, Munich Symphony Orchestra, and Minnesota Orchestra. He has performed recitals at Carnegie Hall, Aspen Music Festival, and the Zürich Tonhalle; was invited by Michael Tilson Thomas to be a soloist at the New World Symphony Viola Visions Festival; and has appeared in chamber music with Anne-Sophie Mutter at the Berlin Philharmonie, Vienna Musikverein, and on Deutsche Grammophon Stage+. An alum of the Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center, where he occupies the Wallach Chair. In 2022, he made his Sony Classical debut on The Dvořák Album, and his 2019 solo debut recording, Ascent, was released by Cedille Records, marking world premieres of the Shostakovich Impromptu and Clarice Assad Metamorfose. Additionally, he recorded the Mozart Sinfonia Concertante with violinist Rachel Barton Pine and the Academy of St Martin in the Fields, conducted by the late Sir Neville Marriner. An Avery Fisher Career Grant recipient and major prize winner at the Primrose and Tertis International Viola Competitions, he studied with Heidi Castleman at Juilliard and Tabea Zimmermann at the Kronberg Academy. Lipman is on faculty at Stony Brook University and performs on a 2021 Samuel Zygmuntowicz viola, made for him in New York.
Inbal Segev is “a cellist with something to say” (Gramophone). She has appeared with orchestras including the Berlin Philharmonic, London Philharmonic, Israel Philharmonic, Baltimore Symphony, St. Louis Symphony, and Pittsburgh Symphony, collaborating with such prominent conductors as Marin Alsop, Stéphane Denève, Lorin Maazel, Cristian Macelaru, and Zubin Mehta. Committed to reinvigorating the cello repertoire, she has commissioned and premiered new cello concertos by Timo Andres, Anna Clyne, Avner Dorman, Dan Visconti, Vijay Iyer, and Victoria Poleva, whose new concerto Segev looks forward to premiering with the Dallas Symphony and the London Philharmonic in the 2023–24 season. Recorded with Alsop and the London Philharmonic, Segev’s 2020 premiere recording of Clyne’s cello concerto, DANCE, was an instant success, topping the Amazon Classical Concertos chart and receiving nine million listens on Spotify. At the start of the pandemic, she launched 20 for 2020, a commissioning, recording, and video project featuring 20 cutting-edge composers, including John Luther Adams, Viet Cuong, and James Lee III. Her discography includes acclaimed recordings of Elgar’s Cello Concerto, Romantic cello works, and Bach’s Cello Suites, while her popular YouTube masterclass series, Musings with Inbal Segev, has inspired a generation of cellists. A native of Israel, at 16 Segev was invited by Isaac Stern to continue her cello studies in the US, where she earned degrees from Yale University and the Juilliard School, before co-founding the Amerigo Trio with former New York Philharmonic concertmaster Glenn Dicterow and violist Karen Dreyfus. Segev’s cello was made by Francesco Ruggieri in 1673.
Cellist Keith Robinson is a founding member of the Miami String Quartet and has been active as a chamber musician, recitalist, and soloist since his graduation from the Curtis Institute of Music. He has had numerous solo appearances with orchestras including the New World Symphony, the American Sinfonietta, and the Miami Chamber Symphony, and in 1989 won the P.A.C.E. “Classical Artist of the Year” Award. His most recent recording released on Blue Griffin Records features the complete works of Mendelssohn for cello and piano with his colleague Donna Lee. In 1992 the Miami String Quartet became the first string quartet in a decade to win First Prize of the Concert Artists Guild New York Competition. The quartet has also received the prestigious Cleveland Quartet Award, has won the Grand Prize at the Fischoff Chamber Music Competition, and was a member of CMS’s Bowers Program. He regularly attends festivals across the United States, including the Santa Fe Chamber Music Festival, Music@Menlo, Kent Blossom Music, Bravo! Vail, Savannah Music Festival, and the Virginia Arts Festival. Highlights of recent seasons include international appearances in Bern, Cologne, Istanbul, Lausanne, Montreal, Rio de Janeiro, Hong Kong, Taipei, and Paris. He also teaches chamber music at the Cleveland Institute of Music. Robinson hails from a musical family and his siblings include Sharon Robinson of the Kalichstein-Laredo-Robinson Trio, and Hal Robinson, principal bass of the Philadelphia Orchestra. He plays a cello made by Carlo Tononi in Venice in 1725.
