Choose a performance from the dates below
Sonata in E minor for Violin and Piano, Op. 82(1918)
Ralph Vaughan Williams(1872–1958)
Quintet in C minor for Piano, Violin, Viola, Cello, and Double Bass(1903)
Pianist Shai Wosner has attracted international recognition for his exceptional artistry, musical integrity, and creative insight. His performances of a broad range of repertoire—from Beethoven and Schubert to Ligeti and the music of today—communicate his imaginative programming and intellectual curiosity. Wosner is Resident Artist of the New York–based Peoples’ Symphony Concerts from 2020 to 2023. In spring 2023, he curated a second annual festival devoted to the music of György Kurtág at Bard Conservatory, where he is on faculty. Additional highlights of his season include a European tour with clarinetist Martin Fröst and violist Antoine Tamestit; concerts with the Chamber Music Society of Lincoln Center, the Columbus Symphony, and the Israel Chamber Orchestra; and performances as part of the Zukerman Trio with violinist Pinchas Zukerman and cellist Amanda Forsyth. He performs regularly at chamber music festivals, including Chamber Music Northwest, Jerusalem Chamber Music Festival, Oregon Bach Festival, and Santa Fe Chamber Music Festival. His acclaimed recordings for Onyx Classics range from Schubert sonatas, to chamber works by Bartók and Kurtág, to concerti by Haydn and Ligeti. He is the recipient of Lincoln Center’s Martin E. Segal Award, an Avery Fisher Career Grant, and a Borletti-Buitoni Trust Award. Born in Israel, Wosner enjoyed a broad musical education from a very early age, studying piano with Opher Brayer and Emanuel Krasovsky, as well as composition, theory, and improvisation with André Hajdu. He later studied at The Juilliard School with Emanuel Ax.
Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura, and profound musicianship. Minnesota’s Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you'll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener.” A thrilling musician capturing the attention of classical critics and audiences around the world, he has recently appeared as a soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician, he has performed at the Tel Aviv Museum in Israel, London’s Wigmore Hall, Lincoln Center’s Alice Tully Hall, the Dresden Music Festival in Germany, and the Phillips Collection in Washington, DC. He has been presented in recital in Omaha on the Tuesday Musical Club series, in New Orleans by the Friends of Music, and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Moritzburg, Caramoor, Music@Menlo, La Jolla SummerFest, Mainly Mozart, Seattle Chamber Music, Chamber Music Northwest, and Moab Music festivals. He has performed with many of today’s leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenasi, Wu Han, David Finckel, and Jan Vogler. An alum of CMS’s Bowers Program, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program, and teaches at Stony Brook University. In September 2022, Sussmann was named Founding Artistic Director of the Boscobel Chamber Music Festival.
Violist Paul Neubauer has been called a “master musician” by the New York Times. He recently made his Chicago Symphony subscription debut with conductor Riccardo Muti. He also gave the US premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist Wu Han. In addition, his recording of the Aaron Kernis Viola Concerto with the Royal Northern Sinfonia was released on Signum Records, and his recording of the complete viola/piano music by Ernest Bloch with pianist Margo Garrett was released on Delos. Appointed principal violist of the New York Philharmonic at age 21, he has appeared as soloist with over 100 orchestras including the New York, Los Angeles, and Helsinki philharmonics; National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth symphonies; and Santa Cecilia, English Chamber, and Beethovenhalle orchestras. He has premiered viola concertos by Bartók (revised version of the Viola Concerto), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower, and has been featured on CBS's Sunday Morning and A Prairie Home Companion as well as in Strad, Strings, and People magazines. A two-time Grammy nominee, he has recorded on numerous labels including Decca, Deutsche Grammophon, RCA Red Seal, and Sony Classical, and is a member of SPA, a trio with soprano Susanna Phillips and pianist Anne-Marie McDermott. Neubauer is the artistic director of the Mostly Music series in New Jersey and is on the faculty of the Juilliard School and Mannes College.
Nicholas Canellakis has become one of the most sought-after and innovative cellists of his generation, praised as a “superb young soloist” (New Yorker) and for being “impassioned . . . the audience seduced by Mr. Canellakis's rich, alluring tone” (New York Times). A multifaceted artist, Canellakis has forged a unique voice combining his talents as soloist, chamber musician, curator, filmmaker, and composer/arranger. His recent highlights include solo debuts with the Virginia, Albany, Bangor, Stamford, and Delaware symphony orchestras; concerto appearances with the Erie Philharmonic, the New Haven Symphony as artist-in-residence, and the American Symphony Orchestra in Carnegie Hall; Europe and Asia tours with the Chamber Music Society of Lincoln Center; and recitals throughout the United States with his longtime duo collaborator, pianist-composer Michael Stephen Brown. An alum of CMS’s Bowers Program, Canellakis is a regular guest artist at many of the world’s leading music festivals, including Santa Fe, Ravinia, Music@Menlo, Bard, Bridgehampton, La Jolla, Hong Kong, Moab, Music in the Vineyards, and Saratoga Springs. He is the Artistic Director of Chamber Music Sedona in Arizona and is a graduate of the Curtis Institute of Music and New England Conservatory. Filmmaking and acting are special interests of his; he has produced, directed, and starred in several short films and music videos. Canellakis plays on an outstanding Jean-Baptiste Vuillaume cello, circa 1840.
Bassist Blake Hinson joined the New York Philharmonic in September 2012. Previously he served as principal bass of the Grand Rapids Symphony for two seasons, played with the New World Symphony as a fellow, and performed with The Philadelphia Orchestra. A native of West Des Moines, Iowa, Mr. Hinson was accepted at age 16 to The Curtis Institute of Music, where he studied with Philadelphia Orchestra principal bass Harold Robinson and Edgar Meyer. He spent three summers at the Aspen Music Festival and School on fellowship, where he played in the Aspen Chamber Symphony and Aspen Festival Orchestra and won the 2006 low strings competition. Mr. Hinson won third prize in the 2009 International Society of Bassists Double Bass Competition and made his solo debut at Boston’s Symphony Hall.