Mozart, Britten, Ibert, and Jolivet
Thu, Oct 26, 2023, 6:30 & 9:00 pm
Daniel and Joanna S. Rose Studio at CMS
1 hour, no intermission
Program
Wolfgang Amadeus Mozart
(1756–1791)Quartet in G major for Flute and Strings, K. 285a
(1777–78)Benjamin Britten
(1913–1976)Lachrymae: Reflections on a Song of John Dowland for Viola and Harp, Op. 48
(1950)Jacques Ibert
(1890–1962)Trio for Violin, Cello, and Harp
(1943–44)André Jolivet
(1905–1974)Chant de Linos for Flute, Violin, Viola, Cello, and Harp
(1944)Stella Chen
Matthew Lipman
Nicholas Canellakis
Ransom Wilson
Bridget Kibbey
American violinist Stella Chen garnered worldwide attention with her first-prize win at the 2019 Queen Elizabeth International Violin Competition, followed by the 2020 Avery Fisher Career Grant and 2020 Lincoln Center Emerging Artist Award. She recently made debuts with the New York Philharmonic, Chicago Symphony, Minnesota Orchestra, Israel Philharmonic, Chamber Orchestra of Europe, Baltimore Symphony, Belgian National Orchestra, and many others, and appeared at the Vienna Musikverein and Berlin Philharmonie. In recital, recent appearances include Lincoln Center, Carnegie Hall, the Phillips Collection, Rockport Music Festival, and Nume Festival in Italy. Her debut album was released in March of 2023 on the Apple Music platform Platoon, featuring an all-Schubert repertoire. She has appeared as a chamber musician in festivals including the Kronenberg Academy, Ravinia, Seattle Chamber Music, Perlman Music Program, Music@Menlo, Bridgehampton, Rockport, and Sarasota. Chamber music partners include Itzhak Perlman, James Ehnes, Matthew Lipman, and others. She is the inaugural recipient of the Robert Levin Award from Harvard University, where she was inspired by Robert Levin himself. Teachers and mentors have included Donald Weilerstein, Itzhak Perlman, Miriam Fried, and Catherine Cho. She received her doctorate from the Juilliard School, where she serves as teaching assistant to her longtime mentor, Li Lin. A member of CMS’s Bowers Program, Chen plays the 1700 ex-Petri Stradivarius, on generous loan from Dr. Ryuji Ueno and Rare Violins In Consortium, Artists and Benefactors Collaborative and the 1708 Huggins Stradivarius courtesy of the Nippon Foundation.
American violist Matthew Lipman has been praised by the New York Times for his “rich tone and elegant phrasing” and by the Chicago Tribune for a “splendid technique and musical sensitivity.” Recent seasons have included appearances with the Chicago Symphony Orchestra, Chamber Orchestra of Europe, American Symphony Orchestra, Munich Symphony Orchestra, and Minnesota Orchestra. He has performed recitals at Carnegie Hall, Aspen Music Festival, and the Zürich Tonhalle; was invited by Michael Tilson Thomas to be a soloist at the New World Symphony Viola Visions Festival; and has appeared in chamber music with Anne-Sophie Mutter at the Berlin Philharmonie, Vienna Musikverein, and on Deutsche Grammophon Stage+. An alum of the Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center, where he occupies the Wallach Chair. In 2022, he made his Sony Classical debut on The Dvořák Album, and his 2019 solo debut recording, Ascent, was released by Cedille Records, marking world premieres of the Shostakovich Impromptu and Clarice Assad Metamorfose. Additionally, he recorded the Mozart Sinfonia Concertante with violinist Rachel Barton Pine and the Academy of St Martin in the Fields, conducted by the late Sir Neville Marriner. An Avery Fisher Career Grant recipient and major prize winner at the Primrose and Tertis International Viola Competitions, he studied with Heidi Castleman at Juilliard and Tabea Zimmermann at the Kronberg Academy. Lipman is on faculty at Stony Brook University and performs on a 2021 Samuel Zygmuntowicz viola, made for him in New York.
Nicholas Canellakis has become one of the most sought-after and innovative cellists of his generation, praised as a “superb young soloist” (New Yorker) and for being “impassioned . . . the audience seduced by Mr. Canellakis's rich, alluring tone” (New York Times). A multifaceted artist, Canellakis has forged a unique voice combining his talents as soloist, chamber musician, curator, filmmaker, and composer/arranger. His recent highlights include solo debuts with the Virginia, Albany, Bangor, Stamford, and Delaware symphony orchestras; concerto appearances with the Erie Philharmonic, the New Haven Symphony as artist-in-residence, and the American Symphony Orchestra in Carnegie Hall; Europe and Asia tours with the Chamber Music Society of Lincoln Center; and recitals throughout the United States with his longtime duo collaborator, pianist-composer Michael Stephen Brown. An alum of CMS’s Bowers Program, Canellakis is a regular guest artist at many of the world’s leading music festivals, including Santa Fe, Ravinia, Music@Menlo, Bard, Bridgehampton, La Jolla, Hong Kong, Moab, Music in the Vineyards, and Saratoga Springs. He is the Artistic Director of Chamber Music Sedona in Arizona and is a graduate of the Curtis Institute of Music and New England Conservatory. Filmmaking and acting are special interests of his; he has produced, directed, and starred in several short films and music videos. Canellakis plays on an outstanding Jean-Baptiste Vuillaume cello, circa 1840.
Flutist and conductor Ransom Wilson has performed in concert with major orchestras the world over. As a flutist, he recently launched an ongoing series of solo recordings on the Nimbus label in the UK. As a conductor, he is starting his fourth season as music director of the Redlands Symphony in Southern California, and he is the Director of Orchestral Programs at Idyllwild Arts. He has led opera performances at the New York City Opera, and was for ten years an assistant conductor at the Metropolitan Opera. He has been a guest conductor of the London, Houston, KBS, Kraków, Denver, New Jersey, Hartford, and Berkeley symphonies; the Orchestra of St. Luke's; the Philadelphia Chamber Orchestra; the Hallé Orchestra; and the chamber orchestras of St. Paul and Los Angeles. He has also appeared with the Glimmerglass Opera, Minnesota Opera, and the Opera of La Quincena Musical in Spain. As an educator, he regularly leads master classes at the Paris Conservatory, The Juilliard School, Moscow Conservatory, and Cambridge University. A graduate of The Juilliard School, he was an Atlantique Foundation scholar in Paris, where he studied privately with Jean-Pierre Rampal. His recording career, which includes three Grammy Award nominations, began in 1973 with Jean-Pierre Rampal and I Solisti Veneti. Since then he has recorded over 35 albums as flutist and/or conductor. Wilson is a professor at the Yale University School of Music, and has performed with the Chamber Music Society since 1991. He plays exclusively on a hand-made Haynes flute.
Harpist Bridget Kibbey is known for her great musical instincts that transcend her instrument. According to the New York Times, “she makes it seem as though her instrument had been waiting all its life to explode with the energetic figures and colors she was getting from it.” 2024–25 highlights include concerto debuts with the Baltimore Symphony and Richmond Symphony, and features at the Philadelphia Chamber Music Society, the Helicon Foundation, and Chamber Music City. Kibbey collaborates with notable artists including Kathleen Battle, Dawn Upshaw, Avi Avital, and the Dover and Calidore String Quartets, while touring her own productions crossing French masterworks, Baroque transcriptions, and global music alongside today’s top Latin Jazz artists. Kibbey has recorded for Pentatone, Deutsche Grammophon, and SONY Records. She is a recipient of an Avery Fisher Career Grant, the Premiere Prix at the Journées de les Harpes Compétition, and a Salon de Virtuosi SONY Recording Grant. She is an alum of CMS’s Bowers Program.
Daniel and Joanna S. Rose Studio at CMS
Enjoy traditional seating for the 6:30 pm performance and cabaret-style seating for the 9:00 pm performance with a complimentary glass of wine, sponsored by Somm Cellars.