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Inside Chamber Music Lecture

Mozart's Quintet in E-flat major for Two Violins, Two Violas, and Cello, K. 614

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Wed, Feb 5, 2025, 6:30 pm

Daniel and Joanna S. Rose Studio at CMS

1 hour 15 minutes, no intermission

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Mozart’s last major chamber work, composed in 1791, the year of his death at age 35, is full of life, charm, sly wit, and even hilarity. It’s all about expectations and deceptions.

Join distinguished composer and public radio personality Bruce Adolphe for investigations and insights into masterworks performed during the Alice Tully Hall season. Inside Chamber Music lectures are beloved for their depth, accessibility, and brilliance. Each lecture is supported by live performance excerpts from the featured work.

Program

Wolfgang Amadeus Mozart

(1756–1791)

Quintet in E-flat major for Two Violins, Two Violas, and Cello, K. 614

(1791)

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Presented at

Daniel and Joanna S. Rose Studio at CMS

Rose Building, 165 West 65th Street New York, NY 10023
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Yumiko Izu

Bruce Adolphe

Resident Lecturer and Director of Family Programs

Resident lecturer and director of family concerts for CMS since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights.

Resident lecturer and director of family concerts for the Chamber Music Society of Lincoln Center since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights. His works are frequently performed by major artists, including Itzhak Perlman, Yo-Yo Ma, Fabio Luisi, Joshua Bell, Daniel Hope, Angel Blue, the Brentano String Quartet, the Washington National Opera, the Metropolitan Opera Guild, the Human Rights Orchestra of Europe, and over 60 orchestras worldwide. Among his most performed works are the violin concerto I Will Not Remain Silent, the violin/piano duo Einstein’s Light, and Tyrannosaurus Sue: A Cretaceous Concerto.  

 

Daniel Phillips

Violin/Viola

Violinist Daniel Phillips enjoys a versatile career as a chamber musician, solo artist, and teacher. A graduate of Juilliard, his major teachers were his father Eugene Phillips, Ivan Galamian, Sally Thomas, Nathan Milstein, Sandor Végh, and George Neikrug. Since winning the 1976 Young Concert Artists Competition, he has performed as a soloist with many orchestras, including the Pittsburgh, Houston, New Jersey, Phoenix, San Antonio, and Yakima symphonies. He appears regularly at the Spoleto USA Festival, Santa Fe Chamber Music Festival, Chamber Music Northwest, Chesapeake Music Festival, the International Musicians Seminar in England, Marlboro Music Festival, and Music from Angel Fire, where he is co-artistic director. He has served on the faculty of the Heifetz Institute and the St. Lawrence String Quartet Seminar at Stanford. He was a member of the renowned Bach Aria Group and has toured and recorded in a string quartet for Sony with Gidon Kremer, Kim Kashkashian, and Yo-Yo Ma. A judge in the 2022 Leipzig Bach Competition and 2018 Seoul International Violin Competition, Phillips is a professor at the Aaron Copland School of Music at Queens College and on the faculties of the Mannes College of Music, Bard College Conservatory, and the Juilliard School. He lives with his wife, flutist Tara Helen O'Connor, and their two dachshunds on Manhattan's Upper West Side.

Viano Quartet

Ensemble

Praised for their “virtuosity, visceral expression, and rare unity of intention” (Boston Globe), the Viano Quartet are one of the most sought-after young ensembles today and current members of CMS’s Bowers Program. Since soaring to international acclaim as winners of the 13th Banff International String Quartet Competition, they have performed at major venues across the globe.

During the 2024–25 season, the quartet makes its debut in Alice Tully Hall, followed by appearances at series including Wolf Trap, Tuesday Evening Concert Series, Northwestern University, Four Arts, MoCA Westport, Chamber Music Yellow Springs, and the chamber music societies of Dallas, Salt Lake City, and Carmel. In November, the quartet makes its debut in David Geffen Hall with Sir Stephen Hough for the world premiere of his new piano quintet. The quartet can be heard in Canada this season with debuts at the Cecilian Chamber Series as well as the Royal Conservatory of Music in Toronto and Isabel Bader PAC in Kingston in a program with guitarist Miloš Karadaglic. As the inaugural June Goldsmith Quartet-in-Residence for the Music in the Morning series through the 2024–25 season, the quartet will return to Vancouver this March for concerts and community engagement initiatives.

In addition to their busy touring schedule, the quartet are also dedicated advocates of music education, and have worked with students at Music@Menlo, SUNY Buffalo, the Colburn Academy, Duke University, University of British Columbia, Northern Michigan University, Utah State University, University of Denver, and Virginia Commonwealth University. This season they will be returning to University of Victoria for several weeks of residency. The quartet has previously held graduate quartet residencies at Curtis and Colburn and were also the Peak Fellowship Quartet-in-Residence at Meadows School of the Arts at SMU.

The Viano Quartet has collaborated with world-class musicians including Emanuel Ax, Inon Barnatan, Fleur Barron, James Ehnes, Mahan Esfahani, Marc-André Hamelin, Bridget Kibbey, Paul Neubauer, David Shifrin, and Elisso Virsaladze. 2023 marked the release of the quartet’s first album, Portraits, on the Curtis label, featuring pieces by Schubert, Florence Price, Tchaikovsky, and Ginastera. 

Before their career-defining achievement at the Banff International String Quartet Competition, they also received major prizes at the Wigmore Hall, Osaka, Fischoff, ENKOR, and Yellow Springs Chamber Music competitions. Each member of the quartet is grateful to the interminable support from their distinguished mentors at the Curtis Institute and Colburn Conservatory, including members of the Dover, Guarneri, and Tokyo string quartets.