Madison, NJ
A Tale of Three TriosSat, Apr 20, 2024, 7:30 pm
Concert Hall at Drew University
Two hours, including intermission
Celebrating the rich musical possibilities of the piano trio, this program begins with an exploration of the clarinet’s range in two trios: one by Beethoven including jovial variations on a popular tune, and four romantic miniatures by Bruch.
Mendelssohn’s second piano trio welcomes the traditional violin to conclude the program with one of the composer’s most inspired and emotional works. Nestled between the trios are the ever-popular Hungarian Dances by Brahms for piano 4-hands, inspired by the composer’s life-long love of folk music.
Program
Ludwig van Beethoven
(1770–1827)Trio in B-flat major for Clarinet, Cello, and Piano, Op. 11
(1797)Max Bruch
(1838–1920)Selections from Pieces for Clarinet, Cello, and Piano, Op. 83
(1909)Johannes Brahms
(1833–1897)Selections from Hungarian Dances for Piano, Four Hands
(1868, 18)Felix Mendelssohn
(1809–1847)Trio No. 2 in C minor for Piano, Violin, and Cello, Op. 66
(1845)
Wu Han
Evren Ozel
Jose Franch-Ballester
Arnaud Sussmann
David Finckel
Pianist Wu Han, recipient of Musical America’s Musician of the Year Award, enjoys a multi-faceted musical life that encompasses artistic direction, performing, and recording at the highest levels. Co-Artistic Director of the Chamber Music Society of Lincoln Center since 2004 as well as Founder and Co-Artistic Director of Silicon Valley’s innovative chamber music festival Music@Menlo since 2002, she also serves as Artistic Advisor for Wolf Trap’s Chamber Music at the Barns series and Palm Beach’s Society of the Four Arts, and as Artistic Director for La Musica in Sarasota, Florida. Her recent concert activities have taken her from New York’s Lincoln Center stages to the most important concert halls in the United States, Europe, and Asia. In addition to countless performances of virtually the entire chamber repertoire, her concerto performances include appearances with the Philadelphia Orchestra, the Atlanta Symphony, and the Aspen Festival Orchestra. She is the Founder and Artistic Director of ArtistLed, classical music’s first artist-directed, internet-based recording label, which has released her performances of the staples of the cello-piano duo repertoire with cellist David Finckel. Her more than 80 releases on ArtistLed, CMS Live, and Music@Menlo LIVE include masterworks of the chamber repertoire with numerous distinguished musicians. Wu Han’s educational activities include overseeing CMS’s Bowers Program and the Chamber Music Institute at Music@Menlo. A recipient of the prestigious Andrew Wolf Award, she was mentored by some of the greatest pianists of our time, including Lilian Kallir, Rudolf Serkin, and Menahem Pressler. Married to cellist David Finckel since 1985, Wu Han divides her time between concert touring and residences in New York City and Westchester County.
American pianist Evren Ozel has established himself as a musician of “refined restraint” (Third Coast Review), combining fluent virtuosity with probing, thoughtful interpretations. Having performed extensively in the United States and abroad, Ozel is the recipient of a 2023 Avery Fisher Career Grant, 2022 Salon de Virtuosi Career Grant, and is currently represented by Concert Artists Guild as an Ambassador Prize Winner of their 2021 Victor Elmaleh Competition.
Since his debut with the Minnesota Orchestra at age 11, Ozel has been a featured soloist with the Cleveland Orchestra, Jacksonville Symphony, and The Orchestra Now at Bard College, with conductors Jahja Ling, Ruth Reinhardt, Courtney Lewis, and Leon Botstein. In March of 2025, his first album of Mozart Concertos with the ORF Radio Symphony of Vienna and conductor Howard Griffiths will be released on Alpha Classics.
Ozel’s 2024–25 season highlights include solo recitals for La Jolla Music Society, Capital Region Classical, and Cal Performances. Previously, he has performed recitals for Harvard Musical Association, Schubert Club, Chopin Society of Minnesota, and The Gilmore. Carrying a vast and varied recital repertoire, his 2023–24 season included a program ranging from Bach and Rameau to Ligeti, as well as a program of Beethoven’s last three Piano Sonatas. As a laureate of the 2024 Cleveland International Piano Competition, Ozel will appear in recitals internationally in the coming years at Salle Cortot in Paris, Brandenburgische Sommerkonzerte in Germany, and Vilnius Piano Festival in Lithuania.
An esteemed chamber musician, Ozel performs alongside artists like David Finckel and Wu Han, Stella Chen, Zlatomir Fung, Paul Huang, and Peter Wiley. He spent four summers at the Marlboro Festival, and is currently a 2024–27 Bowers Program Artist for the Chamber Music Society of Lincoln Center. His 2024–25 season includes a tour with Musicians from Marlboro, as well as CMS concerts at Alice Tully Hall.
Ozel resides in Boston, where he is currently part of New England Conservatory’s prestigious and highly-exclusive Institute for Concert Artists, under the tutelage of Wha Kyung Byun. Other important mentors include Jonathan Biss, Imogen Cooper, Richard Goode, Sir András Schiff, and Mitsuko Uchida.
Clarinetist Jose Franch-Ballester is a captivating performer of “poetic eloquence” (The New York Sun) and “technical wizardry” (The New York Times). He plays regularly at the Bridgehampton Chamber Music Festival, Chamber Music Northwest, the Saratoga Chamber Music Festival, the Skaneateles Festival, Camerata Pacifica, and Music from Angel Fire. He has also appeared at the Usedomer Musikfestival in Germany, the Verbier Festival in Switzerland, the Cartagena Festival Internacional de Música in Colombia, and the Young Concert Artists Festival in Tokyo, Japan. As a soloist, he has appeared with the Orchestra of St. Luke’s, the BBC Concert Orchestra, the Santa Barbara Orchestra, and numerous Spanish orchestras. Winner of the 2004 Young Concert Artists International Auditions, he was presented in debut recitals in New York and in Washington, DC at the Kennedy Center. In 2008, he won a coveted Avery Fisher Career Grant. He was awarded the Cannes Midem Prize, which aims to introduce artists to the classical recording industry. With the Chamber Music Society, he has recorded Bartók’s Contrasts on the Deutsche Grammophon label. Born in Moncofa, Spain into a family of clarinetists and Zarzuela singers, Mr. Franch-Ballester graduated from the Joaquin Rodrigo Music Conservatory. He earned a bachelor’s degree from The Curtis Institute of Music, where he studied with Donald Montanaro and Pamela Frank. He is a former member of CMS’s Bowers Program.
Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura, and profound musicianship. Minnesota’s Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you'll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener.” A thrilling musician capturing the attention of classical critics and audiences around the world, he has recently appeared as a soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician, he has performed at the Tel Aviv Museum in Israel, London’s Wigmore Hall, Lincoln Center’s Alice Tully Hall, the Dresden Music Festival in Germany, and the Phillips Collection in Washington, DC. He has been presented in recital in Omaha on the Tuesday Musical Club series, in New Orleans by the Friends of Music, and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Moritzburg, Caramoor, Music@Menlo, La Jolla SummerFest, Mainly Mozart, Seattle Chamber Music, Chamber Music Northwest, and Moab Music festivals. He has performed with many of today’s leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenasi, Wu Han, David Finckel, and Jan Vogler. An alum of CMS’s Bowers Program, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program, and teaches at Stony Brook University. In September 2022, Sussmann was named Founding Artistic Director of the Boscobel Chamber Music Festival.
Co-Artistic Director of CMS since 2004, cellist David Finckel’s dynamic musical career has included performances on the world’s stages in the roles of recitalist, chamber artist, and orchestral soloist. The first American student of Mstislav Rostropovich, he joined the Emerson String Quartet in 1979, and during 34 seasons garnered nine Grammy Awards and the Avery Fisher Prize. His quartet performances and recordings include quartet cycles of Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Dvorák, Brahms, Bartók, and Shostakovich, as well as collaborative masterpieces and commissioned works. In 1997, he and pianist Wu Han founded ArtistLed, the first internet-based, artist-controlled classical recording label. ArtistLed’s catalog of more than 20 releases includes the standard literature for cello and piano, plus works composed for the duo by George Tsontakis, Gabriela Lena Frank, Bruce Adolphe, Lera Auerbach, Edwin Finckel, Augusta Read Thomas, and Pierre Jalbert. In 2022, Music@Menlo, an innovative summer chamber music festival in Silicon Valley founded and directed by David and Wu Han, celebrated its 20th season. As a young student, David was winner of the Philadelphia Orchestra’s junior and senior divisions, resulting in two performances with the orchestra. Having taught extensively with the late Isaac Stern in America, Israel, and Japan, he is currently a professor at both the Juilliard School and Stony Brook University, and oversees both CMS’s Bowers Program and Music@Menlo’s Chamber Music Institute. David’s 100 online Cello Talks, lessons on cello technique, are viewed by an international audience of musicians. Along with Wu Han, he was the recipient of Musical America’s 2012 Musicians of the Year Award.