Lun Li is a violinist committed to creating thought-provoking, boundary-pushing concert experiences for contemporary audiences around the world. A native of Shanghai who is currently based in New York, he won first prize in the 2021 Young Concert Artists Susan Wadsworth International Auditions. Additionally, he is also joint winner of the first prize at the Lillian and Maurice Barbash J.S. Bach Competition 2021. He has appeared on major musical stages around the world, including Helsinki Music Centre, Konzerthaus Berlin, Kulturpalast Dresden, Wiener Konzerthaus, and Verizon Hall at the Kimmel Center. This season, he will make his solo recital debut in Merkin Hall at the Kaufman Music Center in New York and at the Kennedy Center in Washington, DC, as well as his concerto debut at Lincoln Center. An avid chamber musician, he has participated in the Marlboro, Music@Menlo, Verbier, and Angelfire music festivals. This season, he will go on tours with Marlboro Music Festival and Young Concert Artists, bringing him to Carnegie Hall, Merkin Concert Hall, Kimmel Center in Philadelphia, and others. In 2024, he begins his tenure as a member of CMS’s Bowers Program. He holds degrees from the Curtis Institute of Music and the Juilliard School; his mentors include Ida Kavafian, Catherine Cho, and Joseph Lin. Li plays on the Stradivarius “Samazeuilh” 1735 violin, on a generous loan from the Nippon Music Foundation.

Praised by The Strad as an “utterly dazzling” artist, violinist Danbi Um captivates audiences with her virtuosity, individual sound, and interpretive sensitivity. She is a Menuhin International Violin Competition Silver Medalist, a winner of the prestigious 2018 Salon de Virtuosi Career Grant, and a recent top prizewinner of the Naumburg International Violin Competition. Recent and upcoming engagements include appearances with the Chamber Orchestra of Philadelphia and her Washington, DC, recital debut at the Phillips Collection. This season will also see her return to the Rockport, Moab, Saratoga Performing Arts (SPAC), Santa Fe, and North Shore Music Festivals, as well as her debuts at the Cleveland Chamber Music Society, Chamber Music San Francisco, and the Mostly Music, Newburyport, La Musica (Sarasota), and Chelsea Music Festivals. In addition, she embarks on a duo recital tour with guitarist Jiji to Delaware, Houston, New York, and Nova Scotia. Her debut album, Much Ado: Romantic Violin Masterworks, will be released in fall 2023. Past concerto engagements include appearances with the Israel Symphony, Auckland Philharmonic, Vermont Symphony, and Dartmouth Symphony. Born in Seoul, South Korea, Ms. Um moved to the United States to study at the Curtis Institute of Music, where she earned a bachelor’s degree. She also holds an Artist Diploma from Indiana University. Her teachers have included Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, and Hagai Shaham. She is an alum of CMS’s Bowers Program and plays a 1683 “ex-Petschek” Nicolo Amati violin, on loan from a private collection.

Cellist Sterling Elliott is a 2021 Avery Fisher Career Grant recipient and winner of the Senior Division 2019 National Sphinx Competition. He has appeared with the Philadelphia Orchestra, the New York Philharmonic, the Boston Symphony, the Cleveland Orchestra, and the Dallas and Detroit symphonies. The 2022–23 season saw debuts with the Colorado Symphony and the Cincinnati Symphony, among others, with return appearances including the Buffalo Philharmonic. He was presented in recital by the San Francisco Symphony, the New York Philharmonic, Shriver Hall, and Tippet Rise. This summer, Sterling returns to the Hollywood Bowl to perform with the Los Angeles Philharmonic. He also serves on faculty at the Sphinx Performance Academy at Juilliard, and he performs chamber music at festivals including La Jolla SummerFest, Edinburgh Festival, Chamberfest Cleveland, and Festival Mozaic. Elliott is pursuing an Artist Diploma at the Juilliard School, studying with Joel Krosnick and Clara Kim. He performs on a 1741 Gennaro Gagliano cello on loan through the Robert F. Smith Fine String Patron Program, in partnership with the Sphinx Organization. 

Ricardo Morales is one of the most sought-after clarinetists of today. He joined The Philadelphia Orchestra as principal clarinet in 2003. Prior to this he was principal clarinet of the Metropolitan Opera Orchestra, a position he assumed at the age of 21. His virtuosity and artistry as a soloist, chamber, and orchestral musician has been hailed and recognized in concert halls around the world. He has been asked to perform as principal clarinet with the New York Philharmonic, the Chicago Symphony, and at the invitation of Sir Simon Rattle, performed as guest principal clarinet with the Berlin Philharmonic. He also performs as principal clarinet with the Saito Kinen Festival Orchestra and the Mito Chamber Orchestra, at the invitation of Maestro Seiji Ozawa.

A native of San Juan, Puerto Rico, Mr. Morales began his studies at the Escuela Libre de Musica along with his five siblings, who are all distinguished musicians. He continued his studies at the Cincinnati Conservatory of Music and Indiana University, where he received his Artist Diploma.


Mr. Morales has been a featured soloist with many orchestras, including the Metropolitan Opera Orchestra, the Chicago Symphony, the Cincinnati Symphony, the Indianapolis Symphony, the Seoul Philharmonic, and the Flemish Radio Symphony. During his tenure with the Metropolitan Opera Orchestra, he soloed in Carnegie Hall and on two European tours. He made his solo debut with The Philadelphia Orchestra in 2004 and has since performed as soloist on numerous occasions. Ricardo performed the world premiere of the Clarinet Concerto by Jonathan Leshnoff, commissioned for him by the Philadelphia Orchestra.

An active chamber musician, Mr. Morales has performed in the MET Chamber Ensemble series at Carnegie Hall’s Weill Recital Hall, at the Santa Fe Chamber Music Festival, the Philadelphia Chamber Music Society, the Seattle Chamber Music Summer Festival, and the Saratoga Chamber Music Festival, on NBC’s The Today Show, and with the Chamber Music Society of Lincoln Center. He has performed with many distinguished ensembles, such as the Juilliard Quartet, the Pacifica Quartet, the Miró Quartet, the Leipzig Quartet, and the Kalichstein-Laredo-Robinson Trio. He has also collaborated with Christoph Eschenbach, André Watts, Emanuel Ax, Jean-Yves Thibaudet, James Ehnes, Gil Shaham, and Kathleen Battle. Mr. Morales is highly sought after for his recitals and master classes, which have taken him throughout North America, Europe and Asia. In addition, he currently serves on the faculty of Temple University.

Mr. Morales’s performances have been met with critical acclaim. The Philadelphia Inquirer hailed his appointment to The Philadelphia Orchestra, stating that “… in fact, may represent the most salutary personnel event of the orchestra’s last decade.” He was praised by the New York Times as having “fleet technique, utterly natural musical grace, and the lyricism and breath control of a fine opera singer.” Mr. Morales was also singled out in the New York Times review of the Metropolitan Opera’s production of Berlioz’s Les Troyens, describing his playing as “exquisite” and declaring that he “deserved a place onstage during curtain calls.”

Mr. Morales’s debut solo recording, French Portraits, is available on the Boston Records label. His recent recordings include performances with the Kalichstein-Laredo-Robinson Trio, with the Pacifica Quartet, which was nominated for a Latin Grammy Award, as well as the Mozart Concerto with the Mito Chamber Orchestra for DECCA. Ricardo is a sought-after consultant and designer of musical instruments and accessories, and enjoys a musical partnership with F. Arthur Uebel, a world-renowned manufacturer of artist-level clarinets.