Inspector Pulse Changes Hats!
Sun, Nov 12, 2:00 pm
Alice Tully Hall
75 minutes, no intermission
The world’s greatest and only private ear has a box full of different kinds of hats, and changing hats inspires him to invent variations in music! No one has ever done it before! Or have they?
For children who are curious, they can try out instruments featured in the program at our Instrument Petting Zoo, beginning one hour before the performance and guided by CMS performing artists and teaching artists.
To ensure adequate safety and capacity, all attendees for this event, regardless of age, need a ticket. This includes children that will be sitting in a guardian's lap during the performance.
Program
Frédéric Chopin
(1810–1849)Prelude No. 4 in E minor for Piano, Op. 28
(1838-1839)Frédéric Chopin
(1810–1849)Prelude in G major for Piano, Op. 28, No. 3
(1839)Bruce Adolphe
(b. 1955)Inspector Pulse’s Prelude for Piano
(2014)Sergei Prokofiev
(1891–1953)Visions fugitives for Piano, Op. 22
(1915–1917)Béla Bartók
(1881–1945)Romanian Folk Dances for Violin and Piano, BB 68 (arr. Zoltán Székely)
(1915, arr. 1925–Pe loc (In One Spot))Wolfgang Amadeus Mozart
(1756–1791)Sonata in B-flat major for Violin and Piano, K. 378
(1779–80)Bruce Adolphe
(b. 1955)Einstein’s Light for Violin and Piano
(2015)Frédéric Chopin
(1810–1849)Sonata in G minor for Cello and Piano, Op. 65
(1845–46)Felix Mendelssohn
(1809–1847)Trio No. 1 in D minor for Piano, Violin, and Cello, Op. 49
(1839)
Bruce Adolphe
Mika Sasaki
Lun Li
Mihai Marica
Resident lecturer and director of family concerts for CMS since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights.
His works are frequently performed by major artists, including Itzhak Perlman, Yo-Yo Ma, Fabio Luisi, Joshua Bell, Daniel Hope, Angel Blue, the Brentano String Quartet, the Washington National Opera, the Metropolitan Opera Guild, the Human Rights Orchestra of Europe, and over 60 orchestras worldwide.
Among his most performed works are the violin concerto I Will Not Remain Silent, the violin/piano duo Einstein’s Light, and Tyrannosaurus Sue: A Cretaceous Concerto. Also an author and innovative educator, Bruce Adolphe has spent decades helping people to hear and enjoy music in extraordinary ways. He is the author of several books, including The Mind’s Ear: Exercises for Improving the Musical Imagination for Performers, Listeners and Composers (3rd ed., 2021) and the chapter on composing in Secrets of Creativity: What Neuroscience, the Arts, and Our Minds Reveal (2019).
Widely known for his weekly Piano Puzzler segment on American Public Media’s Performance Today, which has been broadcast since 2002, Mr. Adolphe is also the artistic director of the Off the Hook Arts Festival in Colorado, for which he brings scientists, visual artists, filmmakers, writers, and musicians together.
He has been a fellow of the Salzburg Global Seminar, visiting lecturer in the residential colleges at Yale, composer-in-residence and visiting scholar at the Brain and Creativity Institute in Los Angeles, distinguished composer-in-residence at the Mannes College of Music, and on faculty at NYU’s Tisch School of the Arts and the Juilliard School.
Pianist Mika Sasaki is an imaginative and versatile soloist, chamber musician, and educator whose performances have taken her around the world. Her debut album, Obsidian: Mika Sasaki plays Clara Schumann, released on Yarlung Records in 2016, was highly acclaimed by the Online Merker as “illuminat[ing] the artistic inspiration and creative exchange between three Romantic souls,” Clara Schumann, Robert Schumann, and Johannes Brahms. Her performances have been broadcasted on WQXR, WFMT, KQAC, and Radio Sweden. She has appeared as concerto soloist with the Sinfonia of Cambridge, New Jersey Symphony Orchestra, 92Y Orchestra, and, more recently, with the InterSchool Symphony Orchestra of New York, performing Amy Beach’s Piano Concerto. She is the pianist of Ensemble Mélange and appears regularly with the Chameleon Arts Ensemble of Boston, Manhattan Chamber Players, Carnegie Hall’s Ensemble Connect, and with her duo partners. Her festival appearances include Music@Menlo, Tanglewood, Chigiana, Taos, Yellow Barn, Aspen, Focus!, Icicle Creek, Mannes Beethoven Institute, Caramoor, Shandelee, Weekend of Chamber Music, Central Vermont Chamber Music Festival, and many others. An advocate of both old and new repertoire, she can be heard championing works from the Baroque to the present, and has commissioned chamber music and solo works by Max Grafe, Emily Cooley, Andrew Hsu, and Jonathan Dawe. An alumna of the Peabody Conservatory, Ensemble Connect, and the Juilliard School, Sasaki is now a faculty member at Juilliard. Her teachers have included Benjamin Pasternack, Gilbert Kalish, and Joseph Kalichstein.
Lun Li is a violinist committed to creating thought-provoking, boundary-pushing concert experiences for contemporary audiences around the world. A native of Shanghai who is currently based in New York, he won first prize in the 2021 Young Concert Artists Susan Wadsworth International Auditions. Additionally, he is also joint winner of the first prize at the Lillian and Maurice Barbash J.S. Bach Competition 2021. He has appeared on major musical stages around the world, including Helsinki Music Centre, Konzerthaus Berlin, Kulturpalast Dresden, Wiener Konzerthaus, and Verizon Hall at the Kimmel Center. This season, he will make his solo recital debut in Merkin Hall at the Kaufman Music Center in New York and at the Kennedy Center in Washington, DC, as well as his concerto debut at Lincoln Center. An avid chamber musician, he has participated in the Marlboro, Music@Menlo, Verbier, and Angelfire music festivals. This season, he will go on tours with Marlboro Music Festival and Young Concert Artists, bringing him to Carnegie Hall, Merkin Concert Hall, Kimmel Center in Philadelphia, and others. In 2024, he begins his tenure as a member of CMS’s Bowers Program. He holds degrees from the Curtis Institute of Music and the Juilliard School; his mentors include Ida Kavafian, Catherine Cho, and Joseph Lin. Li plays on the Stradivarius “Samazeuilh” 1735 violin, on a generous loan from the Nippon Music Foundation.
Romanian-born cellist Mihai Marica is a first-prize winner of the Dr. Luis Sigall International Competition in Viña del Mar, Chile, as well as the Irving M. Klein International Competition, and is a recipient of Charlotte White’s Salon de Virtuosi Fellowship Grant. He has performed with orchestras such as the Symphony Orchestra of Chile, Xalapa Symphony in Mexico, the Hermitage State Orchestra of St. Petersburg in Russia, the Jardins Musicaux Festival Orchestra in Switzerland, the Louisville Orchestra, and the Santa Cruz Symphony in the US. He has also appeared in recital performances in Austria, Hungary, Germany, Spain, Holland, South Korea, Japan, Chile, the United States, and Canada. A dedicated chamber musician, he has performed at the Chamber Music Northwest, Norfolk, and Aspen music festivals where he has collaborated with such artists as Ani Kavafian, Ida Kavafian, David Shifrin, André Watts, and Edgar Meyer. He is a founding member of the award-winning Amphion String Quartet. A recent collaboration with dancer Lil Buck brought forth new pieces for solo cello written by Yevgeniy Sharlat and Patrick Castillo. He recently joined the acclaimed Apollo Trio. Marica studied with Gabriela Todor in his native Romania and with Aldo Parisot at the Yale School of Music, where he was awarded master's and artist diploma degrees. He is an alum of CMS's Bowers Program.